How does Anzia Yezierska's fictional project support your theoretical Essay

How does Anzia Yezierska's fictional project support your theoretical text's arguments about the social construction of raci - Essay Example that caused disorder to the white racial identity. Racially homogenous areas became present yet did not explain all the compromise that caused the development of pan-European whiteness in the country to be accepted by white Americans. It also did not explain how these European groups acknowledged these spaces as crucial to their sense of belongingness in the country (Winant 8). In association to the above statements, racial formation views race as a debated subject of the creation of meanings and social signification level. It is not merely a field of debate and resistance at the social structure level. The former talks of the methods of representing and ethnically figuring the concept of race. It is about the manner in which race becomes a significant illustration of individual or group experiences, social issues, and identity. The latter discusses concerns such as the racial extent of laws, political systems, institutional measures, and social distribution and stratification. Omi a nd Winant theorizes that racial formation is an unending course wherein historically positioned developments intermingle: in the overlap, accommodation, debate, and collision of these developments, social institutions and structures, and human awareness and bodies are structured and represented (81). One may argue that in any historical development, racial formation and meaning cannot be separated. To give meaning to race, and then signify, understand, or even embody it is to both openly and unreservedly trace it in terms of social organization. This association between structure and culture gives racial developments their harmony and coherence, and serves as the foundation of the process of racial formation. Therefore, once it is believed that racial diversity is a matter of what one determines for oneself, or that race is a false relic beyond the state’s observation, or that the U.S. is a natural white man’s territory, what follows it are fitting social and economic programs and political orientation (Winant 45-47). In this view, Yezierska’s written works could be considered as the embodiment of racial formation and modernism. It can be seen as the writer’s ambivalent meeting with Hollywood’s market values and film mores. It can also be seen as a sample of emerging immigrant feminism. The book â€Å"Bread Givers† by Yezierska provides a good reading in researching the events of compromise between the native and immigrant whites in the 1920s. The names of places in this book are fictional, but the story itself was largely inspired by the life of the white, particularly Jewish, immigrants in New York. This novel provides a good narrative of the vast experiences and beliefs of the immigrants who served as the novel’s inspiration. In this novel, Sara Smolinsky, is the female main character that shows independence by making voicing out existential opinions and exercising free will. This was even before the emergenc e of the European whiteness phenomenon. On a personal note, this novel challenges the usual vast benchmark of what is normally associated with ghetto rustic. However, one could also see that this text of consolidated immigrant life during that era takes one to a journey to the ghetto setting while sticking to the intimate geographical and regional borders of the imagined milieu. The constant move of Sara within urban space is the novel’